This is an action movie about Navy Seals that stars real active duty Navy Seals instead of actors. Navy Seals are as good at being in the Navy as they are bad at acting. I think the writers of the film might have been plucked at random from another profession too. The plot concerns Islamic terrorists teaming up with Latin American drug dealers to smuggle suicide bombers over the US-Mexican border. If that story sounds like it was ripped form a Chuck Norris TV movie and would be at odds with the supposed realism of this film, yes.
Wednesday, February 29
Thursday, February 23
THE GREY
Director Joe Carnahan re-teams with his The A-Team star Liam Neeson in this tale of men battling the elements; specifically battled are plane crashes, soul crushing misery, jerks, snow, heights, and wolves. Neeson is a capable badass, delivering lines like "In about five seconds I'm gonna start beating the shit out of you" with steely resolve and appropriate menace, but the film ultimately fails him. The direction is distracted/distracting, the threats are inconsistent and occasionally outright goofy, and before long I was hoping they would start eating each other because the damn wolves weren't doing it fast enough.
Wednesday, February 22
THE PUPPET MONSTER MASSACRE
Remember Team America: World Police? Of course you do. Well that was a puppet action movie that cost 30 million dollars and had a hard R-rating all but guaranteeing that even if it made a profit it would labeled a ‘fascinating failure’ or ‘cult classic’. Well here is another R-rated puppet movie, but this time the genre is horror instead of action and the budget is about 31 million dollars less. The box touts the film as a “wild and raucous love letter to the monster films of the glorious 1980s” but I find that claim highly dubious.
Find out how dubious at CHUD.com
Find out how dubious at CHUD.com
Friday, February 17
RED TAILS
We are not in this movie much. |
Tuesday, February 7
HAYWIRE
Steven Soderbergh delivers unconventional movies even with conventional material. Here is a punch-kick-punch movie about 'one last job' and 'who sold us out damn it!' but of course, since it's Soderbergh, there are unusual choices: fractured chronology, smooth jazz score and a non-actor as the lead. Mixed Martial Arts star Gina Carano debuts admirably if not woodenly as an action star who looks much more credible beating people's asses than the average underfed Hollywood starlet. Despite being called Haywire, the movie is unfortunately inert and somehow feels like less than the sum of its interesting but not altogether arresting parts.
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